Trent Reznor and Atticus Ross started writing music for the American adaptation of “The Girl With the Dragon Tattoo” months before they’d even seen the script.
We tried some new approaches in terms of handing over lots and lots of music that was composed really from an impressionist point of view, before anything was even shot, so that (director) David (Fincher) and the filmmakers could really weave it into the fabric of the story,” Reznor said. “Just see how that works: a new experiment.”
We tried some new approaches in terms of handing over lots and lots of music that was composed really from an impressionist point of view, before anything was even shot, so that (director) David (Fincher) and the filmmakers could really weave it into the fabric of the story,” Reznor said. “Just see how that works: a new experiment.”